JEON SEEYOUNG

์ „์‹œ์˜์€ ์‹œ๊ฐ„์˜ ๊ตฌ์กฐ์™€ ํ”์ ์˜ ํ˜•์ƒ์„ ์‚ฌ์œ ํ•˜๊ณ  ๋‹ค์–‘ํ•œ ๋ฐฉ์‹์œผ๋กœ ์ „๊ฐœํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์‚ฌํšŒ์˜ ์˜์‹๊ณผ ๋ฌด์˜์‹์˜ ๊ฒฝ๊ณ„์—์„œ ํ˜•์„ฑ๋œ ์กด์žฌ์˜ ์ž”ํ”์— ๋Œ€ํ•ด ๊ด€์‹ฌ์„ ๊ฐ€์ง‘๋‹ˆ๋‹ค. ํˆฌ์˜์  ๋Œ€์ƒ์œผ๋กœ ๊ด€์ฐฐํ•˜๊ณ  ๋น„์–ธ์–ด์˜ ๊ฐ๊ฐ์œผ๋กœ ๊ฐ€๋งŒํžˆ ๋ฐ”๋ผ๋ณผ ๋•Œ ๋น„๋กœ์†Œ ๋ฐ€์ฐฉ๋ฉ๋‹ˆ๋‹ค.


Jeon Seeyoung explores the structure of time and the forms of traces through various ways. They have a keen interest in the remnants of existence formed at the boundary between social consciousness and the subconscious. By observing them as projective objects and quietly contemplating them with a non-verbal sense, a deep connection is established.